My daughter celebrates her twentieth birthday tomorrow. Happy Birthday to you, Belle, from me…and this, from eight year old Emily, who does an amazing “drum cover” of the Beatles’ Birthday:
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And Now We Pause For A Primal Scream Moment
Words are not adequate to describe the living hell – for those of us who don’t even believe in a hell but who do believe in being an informed citizen and thus try to pay attention to things – that the next ten months of political rhetoric will bring. 
Listening to the Republican candidates pander speak to the religious right in the days preceding the Iowa caucus was truly retch-inspiring, and caused many an Iowa Atheist to check their GPS systems to confirm that, yes, they were in fact at a political meeting in Des Moines and had not been somehow transported to a convention of hillbilly snake handlers in Kentucky, THANK YOU JAAAAAAYSUS .
I eagerly await the videos of rally attendees foaming at the mouth and proclaiming Ted Cruz has cured their anal hyperhidrosis.
And BTW, Republi-Cons: are any of you seriously running for Preacher-in-Chief, or President of our secular democracy? 
Flying Spaghetti Monster, give me strength.
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On a related note: striking a blow for equality of absurdity, the Church of the Flying Spaghetti Monster has been recognized as a religion in The Netherlands.
And the faithful Pastafarians cried out, “Ramen!”
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Department Of Figuring It Out
Detractors…say the degree is responsible for so-called program fiction — homogenized, over-worskshopped writing void of literary tradition and overly influenced by the mostly upper-middle-class values and experiences of its students. Others describe an inherently unfair system….a self-generating track to the literary establishment, on which the most fortunate jump to fellowships, writing colonies, agents, publishing deals and professorships, where they are indoctrinated into the status quo.
(Why Writers Love to Hate the M.F.A., NY Times, April 9, 2016)
When I begin reading a book I get straight to the manuscript itself. I skip reading the cover quotes, as well as any that may appear on the inside pages. You know the ones – the remarks from other authors and/or Important People Whose Names The Publisher Hopes You Recognize, ® people who have the same publisher/owe the book’s author money who provide alternately pithy and gushing, This is really worth whatever you paid for it recommendations. I bought the book; I’m going to read it. I’ve no interest in people I don’t know telling me why I should read it or what it’s going to mean to me. Pesky contrarian that I am, I like to figure these things out for myself.
I also don’t read the author’s bio notes (which, in the case of fiction, are typically found in the book’s final pages or back cover) before I read the book. It’s the work itself that interests me. I realize this makes me an outlier in this world of Celebrity Everything © , but I don’t give a flying fart about the author’s life story. 
I may peek at the bio notes after wards…but usually only if I’ve found the book somewhat disappointing and want to know, Who was responsible for this? As per that sentiment….
I recently finished reading two collections of short fiction. With each book, as I was turning to the About the Author page, I found myself mumbling, I’d bet good money this was the product of a M.F.A. program.
Can you make big $$ by winning a bet with yourself? 
I have come to think that the word Creative is a misnomer when applied to M.F.A. in Creative Writing.  This is not to say I didn’t like any of the stories in the books. However, there was a certain…sameness…to the supposedly disparate stories, a so-what?-ness I have encountered so, so so soooooooooooooooo very many times in contemporary literature, I can practically smell it.
Bonus dis: I’ve figured out the alternate definition of the degree. A M.F.A., or Master of Fine Arts, in Literature/Creative Writing also translates as a degree in Mediocre Fucking Acts. In my humble experience and opinion, if a work of fiction is connected to a M.F.A. program the book is guaranteed to include several/obligatory sex scenes – scenes which will be presented/narrated in a self-consciously self-important, trying-so-hard-to-be-blasé style, which proclaims, I-am-so-not-a-romance-writer-and-whatever-sex-means-to-you-it-is-not-love-making-in-these-pages. These cynical physical interludes are described with all the passion, affection, humor and significance one might use to portray a dental flossing session.
Also: the sex will be referred to, by the story’s narrator and/or protagonists, as fucking.
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Department Of: That Might Be… No
I can’t figure out if this joke that sprang to my mind the other day is funny ha-ha, or just funny…you know:
Did you hear that Caitlyn Jenner wants to try her luck in the theatre?
She’s peddling her idea to Broadway producers about remaking the classic musical about Wild West sharpshooter Annie Oakley.
The play’s working title: Trannie Get Your Gun.
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May all of your jokes be wildly, thigh-slappingly, milk-squirting-out-of-your-nose funny and yet manage to offend no one;
May you have a (pain-free) lobotomy if you think the former is possible or even desirable;
May the Flying Spaghetti monster touch you with his Noodly Appendage,
and may the hijinks ensue.
Thanks for stopping by. Au Vendredi!
 I know, I know, stop reading/listening to the crap….
 And stop asking questions when you already know the answer.
 Unless, of course, there’s some really icky stuff worth giggling over.
 One M.F.A. student and two M.F.A. professors.
 There are, of course, exceptions to the M.F.A.-works-smell-read-similar. Somewhere.