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The Thumb I’m Not Under

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Department Of Classic Sexist Songs

What, you ask, must a song do to make it into this Department’s Hall of Shame?

Thank you for your interest.

There are many, many components which go into having a song be thus maligned labeled.  These components can be distilled into two broad (sorry) categories.  To be a true classic Sexist Song ® the song’s vocalist(s) – be they male or female – must sing lyrics which:

– lecture a particular woman re her unworthiness without a man, and/or

– advise women in general about how to be a worthy female companion to a man;

– if female, the singer must bemoan her single state while embracing dependence on a man, without whose attention she will (literally or figuratively) die…

♫  “…he is my destiny…” ♫
( sings Little Peggy March, in I Will Follow Him…lyrics written by four men)

 

 

 

What follows is just a taste of those rock and pop tracks standing the test of time (read: old enough) to be considered classics.  Of course, other music genres, particularly rap and hardcore, have plenty of contributions to this wretched category.    [1]    But for brevity’s sake moiself  limited this sampling to songs of the 1950s through 1970s (with one early 1980s contribution, from The Police. Also, many of the songs have been covered by multiple recording artists; I’ve listed just one).

                                                         Recording artist(s)               songwriter(s)

* A Man Needs a Maid                    Neil Young                            Neil Young

* Every Breath You Take  [2]           The Police                            Sting

* For the Love of Him                      Shirley Bassey                      Henry Jerome /B. Martin

* Under My Thumb                         The Rolling Stones              Jagger & Richards

*He Hit Me (and it felt like a kiss)  The Crystals                         Carole King /Gerry Goffin 

 

Uh, yeah,  The above song deserves a special mention.

 

 

 

In Carole King and Gerry Goffin’s fruitful songwriting partnership, Goffin wrote the lyrics and King the music.  Yep, the sentiments expressed in the hit  (“You Make Me Feel Like) A Natural Woman” were penned by a natural man. Not until she stepped out as a solo act did Carole King become a lyricist.

King, who herself suffered domestic abuse at the hands of her third husband, later expressed regret her involvement with penning the dreadful He Hit Me (and it felt like a kiss), whose masochistic lyrics had a root in reality.   Eva Boyd, aka the singer “Little Eva,” worked for Goffin and King (who were married to each other at the time) as their babysitter before she had a hit with their song,  The Loco-motion.  Boyd showed up at Goffin’s and King’s home one night, covered in bruises after a weekend visit with her boyfriend.  When Goffin and King began to question her, Eva tried to reassure them that she was okay, explaining that “He” (her boyfriend) “…really loves me.”

“Half a century later, King has an uneasy relationship with the title. ‘I wrote the music to He Hit Me (and It Felt Like A Kiss). Obviously, I’m complicit in having written that song. I kind of wish I hadn’t written any part of that song, but Gerry wrote that lyric. … again, that’s one song I kind of wish I hadn’t had any part of writing.’ “

(Carole King Kind of Wishes She Had Nothing to Do With This Disturbing Song, cheatsheet.com/entertainment )

 

 

Actually, more of the same.  The list continues.

* If You Want To be Happy  [3]       Jimmy Soul                         Guida /Guida /Royster

* It Must Be Him                            Vikki Carr                            Becaud/David/Vidalin 

* I Will Follow Him                        Little Peggy March              four songwriters, all male

* Run For Your Life                        The Beatles                          Lennon/McCartney

* Wives and Lovers                         Jack Jones                          Burt Bacharach, Hal David
                                       

 

 

 

Special shout out to the songs of Gary Puckett and the Union Gap, whom I mentioned in previous blog 3 years ago:

“One advantage of occasionally listening to an oldies station is occasionally having reminders of how much I loathed the songs of
Gary Puckett And The Union Gap.

In the songs GP & TUG which were most known for – “Young Girl,” “Lady Willpower,” and “Woman, Woman” –  lead singer GP expresses a recurrent and overriding concern: girls and women should have sex with him.

Back to the list:  if you check the songwriting credits to these and other festering turds of lyrical misogyny, you’ll note that the vast majority were penned by men.

 

 

 

 

Moving right along….  The unofficial winner of the coveted title of

Song With The Most Degrading ,Sexist, Condescending and Infantilizing Lyrics …

 

 

 

Yep, it’s Wives and Lovers!

♫  Hey! Little girl
Comb your hair, fix your makeup
Soon he will open the door
Don’t think because there’s a ring on your finger
You needn’t try anymore

For wives should always be lovers too
Run to his arms the moment he comes home to you
I’m warning you…

Day after day
There are girls at the office
And men will always be men
Don’t send him off with your hair still in curlers
You may not see him again

For wives should always be lovers too
Run to his arms the moment he comes home to you
He’s almost here…

Hey! Little girl
Better wear something pretty
Something you’d wear to go to the city and
Dim all the lights, pour the wine, start the music
Time to get ready for love…  ♫

 

 

Moiself  can’t put it any better than this, re Jack Jones’ cover of the song :

“This has everything a person could hope for in a sexist ‘60s song.  Ordering women around? check.  Emphasizing that a woman’s place is in the home?  Check.  Reiterating that it’s only natural for men to sleep around?  Check.  Offering demeaning advice to do everything you can to please your man and warning that he’ll leave you if you don’t?  Check.  Veiled threats of violence?  Checkmate.

It’s like Burt Bacharach and Hal Davis distilled sexism in its purest form and smeared it all over Jack Jones’ smiling, white teeth.  And speaking of Jack Jones — his condescending, smarmy, yet totally earnest and chipper delivery is half of what makes Wives and Lovers stand above all the other sexist songs – like a man standing above a woman after he slapped her for not having dinner on the table when he came home from a hard day at the office.  And his dulcet tones – it’s no wonder this song won him a Grammy for best vocal performance…”

( excerpts from from flush fido productions blog, “Sexistiest songs of the ‘60s, #1” )

 

*   *   *

 

Punz For The Day
Women in Song Edition

Why do balloons hate going to Lady Gaga concerts?
They’re scared of pop music.

How many altos does it take to change a lightbulb?
None; they can’t get up that high.

What did the crowd yell to the opera singer who said she couldn’t sing because her mouth was full of garbanzo beans?
“Just hummus a tune!”

What’s the difference between an argument with seamen and a popular female musician?
One’s a sailors’ tiff, the other’s a Taylor Swift.

 

We…are never ever ever…hearing these again, right?

 

*   *   *

May you have enough time on your hands to listen to the songs listed here, to find out (if you don’t already know) why they are listed here;
May you have fun compiling your own wretched song lyrics lists;
May you placate Ms. Swift by listening to some of her songs
(which IMHO mostly have most excellent lyrics…unless you’re an ex of hers);

…and may the hijinks ensue.

Thanks for stopping by.  Au Vendredi!

 

*   *   *

 

[1] e.g. almost anything by Eminem.

[2] Thanks a lot, Sting.  Do stalkers really need an anthem?

[3] Inspiring lyrics include, ♫ “If you want to be happy for the rest of your life/Never make a pretty woman your wife/So for my personal point of view/Get an ugly girl to marry you…An ugly woman cooks meals on time/She’ll always give you peace of mind…” ♫

The Life I’m Not Mourning

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I hate it, beginning a blog post – or any kind of statement – with a lie. It’s a lie because I am mourning, even as I find the term inadequate to describe the feelings experienced by those of us who loved a remarkable young woman whose life was recently and unexpectedly cut short.

Wednesday (1/30) morning, just before 7 am. The bright, sliver-moon’s optimism, portending the sunny/crisp winter day to come, taunted me with its optimism. A mere two days earlier I would have celebrated such a sight; instead, I felt resentful, then foolish, to recognize my emotions (It’s just a moon; it doesn’t know, or care about, your pain).  As all emotions have done in the past week, everything quickly faded to numb. It was 26˚ outside, but that’s not what chilled me.

 

 

 

When you answer the phone call and hear the voice of your dearly loved friend – her tone at once agitated and lifeless – you realized that the nightmare into which you are about to descend is no dream.

In the days and weeks right after a murder the victim’s family is often in a state of shock, feeling numb, sometimes unable to cry. The murder of a loved one seems almost impossible to comprehend. Life feels unreal, like a dream. Survivors may need to go over the details of the crime again and again, discussing them endlessly, as though trying to put together the pieces of a puzzle, struggling to make sense of it all. They tell themselves, “This can’t be true.”
(“A Grief Like No Other,” The Atlantic, September 1997

Dateline: Monday, 1/28/19, 10:05 am. As I was reaching to turn off my cellphone for yoga class, I received a call, which I answered. It was my friend, LPH. She and her husband DH had been visited that morning by local  [1]  police, and a police chaplain. Those public servants were carrying a devastating message from police in Salt Lake City, where LPH’s and DH’s 27 year old daughter, SEH, was in her first year of medical residency:

At approximately 8:30 the previous evening SEH had been shot and killed by her boyfriend,  [2]  who then took his own life.

*   *   *

 

domestic
adjective

Definition of domestic

1a : living near or about human habitations (“domestic vermin”)

b : tame, domesticated (“the domestic cat”)

2 : of, relating to, or originating within a country and especially one’s own country (“domestic politics, “domestic wines,” “domestic manufacturing,” “all debts foreign and domestic”)

3 : of or relating to the household or the family (“domestic chores,” “domestic happiness”)

4 : devoted to home duties and pleasures (“leading a quietly domestic life”)

5 : indigenous (“a domestic species”)

 

In the news reports  [3] I read the familiar phrases, such as “domestic violence” and “domestic-related” homicide.   I understand the etiology of those terms, as per domestic’s definitions and usages.  Still, I fucking hate them.

 

*   *   *

SEH will be remembered as an extraordinarily engaged and competent and empathetic person at UC-SF.
She really stood out for her commitment to taking care of patients from the time they were born until the time they died. And she was so excited about going to (the University of) Utah. She thought the program there was exactly the type of family medicine program that was going to launch her career to help her be the type of doctor she really wanted to be.
SEH had an easygoing way about her and instantly connected with everyone regardless of where they came from or who they know or what they were there for. And that was true not only for her patients but for her friends.
(The vice dean of education at the UC-San Francisco’s School of Medicine, where SEH received her M.D.., as quoted in an article in the Salt Lake Tribune)

 

Today, University of Utah mourns the tragic loss of one of our bright young family medicine residents, SEH, MD.
Dr. SEH was a first-year resident who was focusing on continuing her studies in Family & Preventive Medicine.
Dr. SEH came to University of Utah Health from UC San Francisco to continue her passion of providing care to women and children in underserved communities. …Her adventurous spirit and love of learning will be missed by all those who knew her….. Dr. SEH always did a great job of connecting with her patients and understanding where they were coming from. She treated the whole person, and patients were always appreciative of her approach….
 SEH made it a priority to stay in touch with her family, constantly talking about them and always mentioning her love of family. At the same time, she was excited about the opportunities Utah offered to her, particularly the ability to spend time doing all the outdoor activities she loved so much. SEH was friendly, fantastic, and hardworking. She always gave everything her all.”
(statement from the University of Utah, as per a  KUTVchannel 2 report)

 

As a mutual friend said, ” It’s devastating that someone…could extinguish a light as bright as hers.”

 

*   *   *

During the past twenty-five years hundreds of articles in psychiatric journals have examined the homicidal mind. Fewer than a dozen have explored how a homicide affects the victim’s family.

The survivors of murder victims…even the counselors who work with survivors…what they have learned contradicts the way the rest of us would like to view the world. We want to maintain an illusion of safety…we want to believe that the children of good parents will never be harmed.

The grief caused by murder does not follow a predictable course. It does not neatly unfold in stages. When a person dies after a long illness, the family has time to prepare emotionally for the death, to feel an anticipatory grief. When someone is murdered, the death usually comes without warning…. 

In the days and weeks right after a murder the victim’s family is often in a state of shock, feeling numb, sometimes unable to cry. The murder of a loved one seems almost impossible to comprehend. Life feels unreal, like a dream. Survivors may need to go over the details of the crime…discussing them endlessly, as though trying to put together the pieces of a puzzle, struggling to make sense of it all. They tell themselves, “This can’t be true.”

(excerpts from “A Grief Like No Other,” Eric Schlosser, The Atlantic) 

“A Grief Like No Other” is a long article, weaving several strands into the larger garment covering the topic of the emotional journeys of families of murder victims. These strands include a “history of murder” (a relatively brief – considering the subject – tour of the history of adjudicating murder, and how societies’ treatments of such went from clan/tribal retribution to modern criminal justice systems) and the exploitation of murder by the entertainment industry, interspersed with sketches of the families who attend the support group POMC (Parents of Murdered Children), and a detailed recount of the aftermath experienced by one murder victim’s family.

These strands are interesting on their own, but that’s not why I am recommending that you read this article,  [4]  which was recommended to me via a network of friends…which provides a convenient segue as to my recommendation.  As the article states, A murder is an unnatural death; no ordinary rules apply. Thus, we who love our friends who have lost their loved one via murder need to be reminded, now and in the times to come, of the differences inherent in loss for those who have experienced the unspeakable.

Skim/skip the afore-mentioned “strand” parts of the article if you like, but please, read carefully – and, I would recommend,  [5]  often (to the point of setting whatever calendar reminders you use to do so in a regular basis) – the parts of the article which deal with the unique trauma and adjustments experienced by parents of murdered children.  It will not be the feel-good read of your week; still, nothing in your discomfort will compare to that experienced by the family, and the article may come close in helping you to understand what your friends are and will be going through.

 

*   *   *

 

Instructions

When I have moved beyond you in the adventure of life,
Gather in some pleasant place and there remember me
With spoken words, old and new.
Let a tear if you will, but let a smile come quickly
For I have loved the laughter of life.
Do not linger too long with your solemnities.
Go eat and talk, and when you can;
Follow a woodland trail, climb a high mountain,
Walk along the wild seashore,
Chew the thoughts of some book
Which challenges your soul.
Use your hands some bright day
To make a thing of beauty
Or to lift someone’s heavy load.
Though you mention not my name,
Though no thought of me crosses your mind,
I shall be with you,
For these have been the realities of my life for me.
And when you face some crisis with anguish.
When you walk alone with courage,
When you choose your path of right,
I shall be very close to you.
I have followed the valleys,
I have climbed the heights of life.

(poem by Arnold Crompton, Humanist educator)

*   *   *

 

 

May you love ’em while you got ’em;
May we all be each other’s “keepers;”
May you be awed and humbled by the wonder and ultimate transience of our lives;
…and may the hijinks ensue.

Thanks for stopping by.  Au Vendredi!

*   *   *

 

 

[1] They live in the Bay Area.

[2] Whose name shall never, ever, be mentioned in this space.

[3] Which I searched for online. The story was picked up nationwide as a blurb, from the local (Utah) newspapers and TV news to The Washington Times and, holy crap, even People magazine online.

[4] Which was recommended to me, via friends MM and SM, who are also members of that (now) sad company of those who know and love SEH’s family.

[5] Because, as the article states, in such “unnatural” deaths, the ordinary rules do not apply. Even if we are not conscious of it, we all have some idea of how to do “ordinary” grieving. This is not to diminish our “ordinary” losses which can seem extraordinarily difficult at the time – e.g., the deaths of my elderly parents. Rather, the loss of a child by homicidal violence is (psychologically and physically proven to be) a very, very, different ordeal for the family, and most of us have no experience with that reality.